Watanabe was friends with Tsutchie and had worked with him on the final episode of Cowboy Bebop, and Nujabes was the first name which came to mind when he was thinking about the series music.[4][8][9] Tsutchie was on board from the beginning, being intrigued by the mixing of hip hop music and samurai culture. As with the rest of production, Watanabe was heavily involved in choosing and using pieces of music.[9] The non-standard sound design and dubbing approach, together with the improvised style of the production as a whole, meant that the composers had a harder time than expected finding suitable samples for their work.[1] The soundtrack included original work and sampling from pre-existing tracks.[9][10]
Several other guest artists contributed to the soundtrack. Beatboxer Afra both voiced and performed the beatbox pieces for a character in the episode "The Art of Altercation".[13] The second part of "Misguided Miscreants" included a long uninterrupted piece of Okinawan music, "Obokuri/Eeumi", which was in Watanabe's mind before the animation was created. This track was performed by singer Ikue Asazaki.[3][13] For the two-part story "Lullabies of the Lost", the track "Pekambe Uk" by traditional Ainu musician Umeko Ando was licensed; Ando died shortly before the episodes aired. Yano Yuki scored the episode "Cosmic Collision", recording the music live using a theremin as she watched the completed episode. Yukiko Tsukioka sang the folk song performed by the character Sara in the story "Elegy of Entrapment", creating a new recording of it for the episode. Rapper duo Suiken & Sword provided vocals for "Hi-izuru Style", the closing track for "War of the Words".[13]
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